MARRIED TO THE MOB
This piece was originally published on the New Beverly Cinema blog in advance of an upcoming screening of the film. Married to the Mob (Jonathan Demme, 1988) is the S’mores of … Continue reading
Voices Carry: The History of Women and Moving Image Archiving
This work began as a piece written for Michael Friend’s MIAS200 Seminar on Moving Image History, Philosophy and Practice. It has since been worked on and edited in several different … Continue reading
Something Old, Something New: The AMIA Student Chapter Screening Series, Pt.2
This is part two of an academic study of the film screening series which has been a central feature of the AMIA Student Chapter at UCLA. The first part can … Continue reading
No Cigarette Burns: Why Film Will Never ‘Die’
This work was initially published as an OpEd piece in addition to my regular column, and may be found here at the original publication site at CraveOnline.com Back in May of 1897, … Continue reading
Living On Video: Festival Cinema, Archiving and the Exploding World of Video-On-Demand (VOD)
This piece was written for MIAS 250: Access to Moving Image Collections, taught by Mark Quigley for the Moving Image Archive Studies Program at UCLA during the Winter of 2012. While … Continue reading
Something Old, Something New: The AMIA Student Chapter Screening Series, Pt.1
This piece was written for MIAS 240: Archival Administration, taught by Professor Snowden Becker for the Moving Image Archive Studies Program at UCLA during the Winter of 2012. This course, designed … Continue reading
Progress Not Perfection: The Work of Ariel Schudson 