The Belfast Project: An Archival Study
This piece was written for IS431: American Archives & Manuscripts, an Information Studies class with content crucial for the satisfying of course requirements of the Moving Image Archive Studies program at … Continue reading
Out of the Shadows and Onto the Screen: Project Shirley and Milestone’s Restoration of The Portrait of Jason
This piece was written for MIAS 210: Ethics of Preservation & Restoration, taught by Michael Pogorzelski for the Moving Image Archive Studies Program at UCLA during the Fall of 2012. Within … Continue reading
Vaults, Crypts & Keepers: EC Comics & Preservation
This piece was written for IS432:Issues in Heritage Preservation, an Information Studies class with content crucial for the satisfying of course requirements of the Moving Image Archive Studies program at … Continue reading
Living On Video: Festival Cinema, Archiving and the Exploding World of Video-On-Demand (VOD)
This piece was written for MIAS 250: Access to Moving Image Collections, taught by Mark Quigley for the Moving Image Archive Studies Program at UCLA during the Winter of 2012. While … Continue reading
The Devil You Know: History, Technology and Family in Warrior
This piece was written as part of my personal blog, Archive-Type: Musings of a Passionate Preservationist , and can be found in its original form and location here. It was a … Continue reading
The Motherboard & the Quilt: New Media Filmmaking and the L.A. Rebellion
This piece was written for FTV 218: Culture, Media & Society: The “L.A. Rebellion” of Black Filmmakers, a class taught by Professor Allyson Nadia Fields’ class based upon the works … Continue reading
Let’s Play Tag: Folksonomic Classification and the Power of the User
This piece was written for IS 260: Information Structures, taught by Professor Gregory Leazer as a requirement for the Moving Image Archive Studies Program at UCLA during the Fall of … Continue reading
The Magic Bullet: Software & Post-Production
This piece was written for MIAS 200: Archiving History and Philosophy, taught by Professor Michael Friend for the Moving Image Archive Studies Program at UCLA during the Fall of 2011. This … Continue reading
To Hypertext and Beyond: Vannevar Bush’s Additions to Information Science
This piece was written for IS 260: Information Structures, taught by Professor Gregory Leazer as a requirement for the Moving Image Archive Studies Program at UCLA during the Fall of … Continue reading
Progress Not Perfection: The Work of Ariel Schudson 